Xaviera Hollander and Sherry Midas present:
by Norman Allen Ricardo Melendez as Nijinsky
Nijinsky’s Last Dance by Norman Allen is a one-man drama featuring an outstanding tour-de-force performance by the mesmerizing Ricardo Melendez as the tortured dance great, Vaslav Nijinsky
May 16 2008 - 22.00
May 17 2008 - 20:30
Black Box Theatre in Marbella
Calle Notario Luis Oliver antiqua calle Finlandia
Tel: 34 952 779172
Vaslav Nijinsky, one of the greatest male tortured dancers of all time, was discovered at the tender age of 9. As with many child protégées, the pressure of living in a whirlwind of fame and excitement proved too much for the young star. In less than 90 minutes, the play moves in and out of the dark mind of Nijinsky to tell the story of his rise from obscurity to fame as a young dancer with the Russian Ballet; his innovative dance style that changed the face of modern dance; and his ultimate and tragic descent into madness.
Ricardo Melendez is utterly believable as the unstable and slightly crazed Nijinsky.
Creating a sense of incredible vulnerability, he encapsulates the audience as he tumbles back on a journey retelling the colorful tale through the dancer’s eyes.
“I am Nijinksky, I am Nijinsky, I am…”. This recurring statement evokes a feeling of pity and sorrow as the dancer moves the audience through his extraordinary life with the view that the world makes greater demands than simply the talent that is given by God.
Melendez powers on through the difficult tale, moving swiftly from one character to the next, creating an easily identifiable persona for each. His rippling body tackles this intense piece of physical theatre with ease, and his talent as both dancer and actor leads to an unforgettable performance.
One would believe that they are in the presence of the troubled man himself. Melendez is Nijinksky.
The life and career of Vaslav Nijinsky was as tragic as it was brilliant. Born in 1890, the Russian dancer blazed a trail across Europe, leaping higher and moving quicker than anyone before. Behind the glamorous parties and regal premieres, however, lay a fragile ego and caged artistic genius.
Climbing under the skin of this most complex of men is no mean feat, but Ricardo Melendez spends an hour immersed in Nijinsky's life. On a simple stage, draped with white linen cloths, Melendez takes us from Nijinsky's childhood in St Petersburg to his glory days in Sergei Diaghilev's Ballet Russe. He starts and ends with the tragic vision of this once great dancer, broken and near hysterical in a psychiatric hospital. It's a life story filled with passion and longing. Desperate to hold and, more crucially, be held by the beautiful women who surrounded him, Nijinsky had to forgo such pleasures for the sake of his career. Instead his nights were spent pleasuring Diaghilev and his "saggy bottom".
All of the main players in Nijinsky's life are brought to life by Melendez, with a simple change in stance or voice. It's a script which demands much of its performer - not least the Russian accent - but Melendez rises to the challenge admirably. A former dancer himself, with Alvin Ailey among others, he moves beautifully, albeit in a rather restricted space.Posing to have his picture painted, Melendez strips down to reveal a statuesque body. It is a moving scene which epitomizes Nijinsky's entire personality - well- founded conceit mixed with an almost pathetic vulnerability.
Melendez brilliantly portrays Nijinsky as well as nearly a dozen others who populated the great dancer’s life. The characters include Nijinsky’s lover Sergei Diaghilev, prima ballerina Tamara Karsavina, and artistic champion Auguste Rodin. Through the passionate telling of his own rise and fall, Nijinsky offers his audience a glimpse into a world descending into the chaos of World War I and the challenges facing an artist during this turbulent time.
A one man tour-de-force that delves into the psyche of dance legend, Vaslav Ricardo Melendez (Nijinsky) is originally from San Juan, Puerto Rico and he holds a BA from Butler University and an MFA from Brooklyn College. His acting credits include Hamlet at Theatre 22 and A View From the Bridge at the Gershwin Theatre both in New York City. Regional credits include Becket or the Honor of God, Twelfth Night, Love Valour, Compassion, and A Midsummer Night's Dream. As a dancer, Ricardo is the former Artistic Director of the Ballets De San Juan and has performed with the Alvin Ailey Dance Ensemble Ballet Hispanico of New York and others. He served as principal dancer and Assistant Artistic Director for Dance Kaleidoscope in Indianapolis. He has choreographed for shows all over the world. Ricardo is a member of Actors Equity Association and currently teaches at the Governor's School for the Arts.
“It's a script which demands much of its performer - not least the Russian accent - but Melendez rises to the challenge admirably." --Scotsman Critic’s Choice
"Ricardo Melendez is utterly believable as the unstable and slightly crazed Nijinsky. Creating a sense of incredible vulnerability, he encapsulates the audience as he tumbles back on a journey retelling the colorful tale through the dancer’s eyes. Melendez IS Nijinsky."
"Flawless, Fabulous, Fantastic! Forget the other shows on your list--go see this one!"
--Leon Conrad, United Kingdom
"One truly can leave a theatre feeling they've spent an hour in the company of a hero."
--Gill Edmunds, United Kingdom
Xaviera Hollander, since 34 years part time resident of Amsterdam as well as Marbella - Costa del Sol - , lover of the arts, at long last will be able to live out her dream and produce this haunting theatre performance about the life of the world famous ballet dancer Nijinsky.
Xaviera, author of a.o. the Happy Hooker and another 18 books, has been producing English language theatre in Amsterdam for the last ten yearsand is finally expanding to Southern Spain. Since many years she visits each summer the Edinburgh theatre festival where she handpicks her favorite plays. She recently got married to Philip de Haan, who is her right hand man in most projects she undertakes. She is always reinventing herself so she says about herself. Presently she runs a fun and bohemian style bed and breakfast in Amsterdam and is writing a Total autobiography about her life called “WALL TALK – if only the walls could talk.“
Last year she met Sherry Midas, who has produced many a play in England as well as on the Costa del Sol. She has moved from London to Spain and is trying to introduce a cultural exchange between Spain and anywhere else in the world to promote art in all forms: music , dance and theatre. Well…the inevitable happened , these two most energetic and dynamic ladies, who both love the “spoken word “so much, have decided to team up and bring some exciting and top quality theater to Marbella.
Info + Bookings: Tel: 34 952 779172
or book through www.blackboxteatro.com
Phone Xaviera till 23/04/2008 : 0031206733934
Phone Xaviera after 23/04/2008 : 0034952857575